Some 19th Century Flatware Patterns

As I’ve researched flatware patterns over the years, I’ve compiled information which I wanted easy access to…thus this post.  I hope it helps you as it has helped (and will continue to help) me.  I’ll be updating it periodically.

Following are some 19th Century flatware patterns shown in alphabetical order by pattern name.  Below each grouping is additional information regarding the patterns shown.

Where you see “+” it means that there were multiple manufacturers for a particular pattern as does the word “numerous”.

01AESTHETIC 15 BLANK 975x1500  BORDER 13 GOOD ACANTHUS_ASSYRIAN HEAD

Acanthus:  Gorham, 1885 (sterling)
Acme:  Holmes, Booth & Haydens, 1877
Alaska:  Wm. Rogers / Anchor Rogers, 1890
Alpine:  Wallace, 1881, Pat. #12137 to Meriden Britannia, H. W. Hirschfeld design
Anchor:  Hartford, International Silver, 1882
Angelo: Wm. Rogers (numerous), 1883 aka “Saratoga” pattern
Angelo:  Wood & Hughes, 1878, Pat. #10536, Charles F. Richers design
Antique Engraved: Gorham, 1880
Arbutus: Lunt, A.F. Towle, 1883
Arcadian:  1847 Rogers Bros., 1884
Armenian:  1847 Rogers Bros, Anchor Rogers & Rogers, Smith & Co., 1886
Ascot:  Pairpoint, 1883, Pat. #14072, Thomas J. Pairpoint design
Assyrian:  Holmes & Edwards (numerous), 1889, Pat. #19276, R.H. Klingel design
Assyrian:  Numerous, 1886, Pat. #16713 to Meriden Brit., H. W. Hirschfeld design
Assyrian Head:  1847 Rogers Bros., (numerous), 1887

01AESTHETIC 15 BLANK 975x1500  BORDER 13 GOOD ATHENS-CANTON

Athens:  Wm. Rogers, 1883, Pat. #14243 to Simpson, Hall, Miller, W. Rogers design
Attica:  R & B (Rogers & Bro.), 1892
Aurora:  Aurora Silver Plate Co., 1888 (see Holmes & Edwards 1 below)
Bay State:  Standard Silver Ware, 1880, Pat. #11956 to Charles Parker Co. L.F. Griswold
Berlin:  R.C. Co., 1891, Pat. #12274 to Maltby, Stevens & Curtis, R. H. Klingel design
Berwick: Pairpoint Mfg. Co., 1880 (bright finish; India pattern in satin finish)
Boston: Numerous, 1882, Pat. #13178 to Rogers & Brittin, George Gill design
Breton:  L. Boardman & Son, circa 1880
Brilliant:  Reed & Barton, 1869
Bristol Two:  Bristol Plate Co.
Bristol Three:  Bristol Plate Co.
Brooklyn:  Oneida Community, 1881, Pat. #12308, Myron H. Kinsley design
Brooklyn 2:  Ontario Silver Co. (variation of above)
Calla Lily:  Crown Silver Plate Co., 1883, Pat.#14262, multi motif, T. Triebel design
Canton: W.F. Rogers, C. Rogers, Anchor Rogers, 1890 (aka “Ruby” pattern) 01AESTHETIC 15 BLANK 975x1500  BORDER 13 GOOD CANTON-CROWN

Canton:  C. Rogers, 1884, Pat.#15134, A. Sperry design (aka Winthrop/Homer)
Cardinal: Rogers & Hamilton (numerous), 1887
Cashmere:  Wood & Hughes, 1878, Pat. # 10912, C. F. Richers design (sterling)
Celestial: Wood & Hughes, 1870 (multi motif)
Chicago:  Rogers & Bro. (numerous), 1879, Pat. #11171, aka “Newport” see below
Clyde: A.F. Towle, 1883
Coral:  Sheffield Plate Co., 1890
Coral:  Rogers & Bro. (numerous), 1892
Corinth: Holmes, Booth & Haydens, 1884, Pat. #15129, H. W. Hayden design
Corona: Holmes, Booth & Haydens, 1884
Coronet: Hall, Elton & Co. (numerous) 1882, Pat. #12841, F. Waterhouse design
Coronet: J. B. Knowles, 1879, Pat. #11473, Joseph Knowles design
Countess: Wm. Rogers, 1880, Pat. #11745 to Simpson, Hall, Miller, W. Rogers design
Crescent: Numerous, 1879, Pat. #11508 to Hall, Elton, F. Waterhouse design
Crown: 1847 Rogers (numerous), 1876, Pat. 9591, H. W. Hirschfeld design
01AESTHETIC 15 BLANK 975x1500  BORDER 13 GOOD CROYDEN-ELGIN

Croyden:  Pairpoint Mfg. Co., 1883, Pat. #14127, T. J. Pairpoint design, multi motif
Daisy:  Holmes & Edwards+, 1888, Pat. #18315, R.H. Klingel design, aka “Mayflower”
Daisy: Rockford Silver Plate Co. (numerous), 1892
Danish: Wm. Rogers+, 1880, Pat. #12053 to Maltby, Stevens & Curtis, W. Lewis design
Derby II: Derby Silver Co.
Diamond:  Wallace Bros., 1878, Pat. #10654, Jacob Hammarth design
Domestic:  Gorham, 1880
Dresden: Pairpoint, 1891
Duchess: Standard Silver Ware Co., 1878, Pat. #10664 to Wallace Bros, H. Wallace design
Durham 1: My example of this pattern is marked “Durham Silver P. Co.”
East Lake:  Rogers & Bro. (numerous), 1879, aka “Lyonnaise” Patent 11,268, June 24, 1879, George Gill and Edwin L. Brittin. See bottom of post for info on variations of pattern.
Eastlake: Hall, Elton & Co. +, 1879, Pat. #11508, F. Waterhouse design aka “Crescent”
Eastlake:  Rogers & Bro., 1886
Egyptian:  Rogers & Bro., 1879, Pat. #11174 to Simpson Hall Miller, Vasseur design
Elgin:  American Sterling Co., 1883
01AESTHETIC 15 BLANK 975x1500  BORDER 13 GOOD ESSEX-HUMBOLT

Essex:  Pairpoint, 1880
Eureka:  Wm. Rogers, 1890
Fuschia:  Crown Silver Plate, 1883, Pat. #14262, multi motif (see Calla Lily above)
Geneva: L. Boardman & Son, c. 1890
Geneva: Wm. Rogers, 1881, Pat. #12241 to Simpson Hall Miller, S.W. Belk design
Granada: A.F. Towle, 1884, Pat. #15421 to John Russell Cutlery, E. Towle design
Greek:  See “Assyrian” above.
Hartford: Wm. Rogers, Rogers & Bro., 1879
Harvard:  Derby Silver Co., E.G. Webster, 1883
Hawthorn:  Wallace, c. 1880 (sterling)
Hayden One: Holmes, Booth & Haydens, 1881, Pat. # 12554, Hiram Hayden design
Holmes & Edwards 1: Holmes & Edwards, 1881, R.H. Klingel design (see “Aurora”)
Homer: C. Rogers. 1884 aka Homer / Winthrop (see “Canton” above)
Honeysuckle: Whiting Mfg. Co., 1885, Charles Osborne design
Humbolt: My example of this pattern is marked “Sterling Plate <B>”

01AESTHETIC 15 BLANK 975x1500  BORDER 13 GOOD IMPERIAL-LAURION

Imperial: 1847 Rogers (numerous), c. 1880, aka “Hawthorn” (see above)
Imperial: L. Boardman & Sons, c. 1880
India: Holmes, Booth & Haydens, 1881, Pat. #12553, H. Hayden design
India: Pairpoint Mfg. Co., 1880 (satin finish; Berwick pattern in bright finish)
Ionic: Wm. Rogers, 1890
Italian: Reed & Barton, 1884, Pat. #15271
Japanese: Holmes, Booth & Haydens (numerous) c. 1879, Pat#11324, H.Hayden
Japanese: Reed & Barton, 1875
Japanese: Numerous, 1880, Pat. #11966 to Rogers & Brittin, Gill & Brittin design
Japanese:  Wood & Hughes, 1875, multi motif
Jewel: Conn S.P., c. 1890, aka “Rossmore” pattern
Julian: Sterling Plate <B>, c. 1890
Kremlin: A.F. Towle, 1883
Laurel: Numerous, 1878, Pat. #10788 to Meriden Britannia, H.W. Hirschfeld design
Laurion: Pairpoint, 1887
01AESTHETIC 15 BLANK 975x1500  BORDER 13 GOOD LEADER-PARISIAN

Leader: Numerous, 1888, Pat#18316 to Holmes & Edwards, Klingel design aka “Peerless”
Lilian:  Anchor Rogers, Wm. Rogers & Son, 1882
Lily: Derby Silver Co., (numerous), 1871, Pat. #5298, Joseph Fradley design
Lorne: 1847 Rogers Bros., (numerous), 1878
Lotus: 1834 J. Russell & Co., 1884, Pat. #15420 to J. Russell Cutlery, E. Towle design
Lyonnaise: Numerous, 1879, Pat. #11268 to Rogers & Brittin, G.Gill & E.Brittin design
Marquis: Wm. Rogers & Son, 1880, Pat. #11761, Wm. Rogers design
Mayflower: Holmes & Edwards, 1888, Pat. 18315, R. Klingel design, aka “Daisy”
Nevada: 1847 Rogers, 1881, Pat. #12541 to Meriden Britannia, H.W. Hirschfeld design
Newport: Numerous, 1879, Pat. #11171 to Rogers & Bro., H.W. Hirschfeld design
Niagra VII: 1877 Niagara Falls Co. / Oneida
No. 3: Wood & Hughes, c. 1880 (sterling)
Orient: Reed & Barton, 1879, Pat. # 11212, W. C. Beattie design
Palace: Holmes, Booth & Haydens, 1884, Pat. #15128, H.W. Hayden design
Parisian: Reed & Barton, 1883, Pat. #13860, A. F. Jackson design
01AESTHETIC 15 BLANK 975x1500  BORDER 13 GOOD PEERLESS-RUSSIAN

Peerless: Numerous,1888, Pat#18316 to Holmes & Edwards, Klingel design, aka “Leader”
Pompeiian: Derby Silver Plate, 1883
Queen: Numerous, 1880, Pat. #11822 to Rogers & Brittin, G. Gill design aka “Queen Anne”
Regal: Wm. Rogers, 1880, Pat. #11614, Albert Hart design
Regent: Hall, Elton & Co. +, 1878, Pat. #10859, John M. Culver design
Rival: Wm. Rogers, 1881, Pat.# 12274 to Maltby, Stevens, Curtis, R.H. Klingel design
Rockford I: Rockford Silver Plate, 1884, Pat.# 14911, George B. Kelly design
Rockford VII: Rockford S.P., 1882, Pat#12840 to Racine S.P. Co., F. Waterhouse design
Rogers: L. Boardman & Son, c. 1880
Rossmore: Conn S. P. c. 1890, aka “Jewel” pattern
Ruby: W.F. Rogers, C. Rogers, Anchor Rogers, 1890, aka “Canton” pattern
Ruby:  Wm. Rogers & 1847 Rogers, 1892
Russell II: 1834 J. Russell & Co., c. 1880
Russian: Reed & Barton, 1883, Pat. #14323, A.F. Jackson design
Russian: Standard Silver Ware Co., 1883

01AESTHETIC 15 BLANK 975x1500  BORDER 13 GOOD RUSTIC-SPRAY

Rustic: A.F. Towle, c. 1880, multi motif
St. Augustine: Rogers & Bro., 1888
St. George: Wallace, 1878, F. Waterhouse design (sterling)
St. James: Wm. Rogers & Son, 1881, Pat#12330 to Simpson Hall Miller, S.W. Belk design
Saratoga: Wm. Rogers & Others, 1883 aka “Angelo” pattern
Saratoga:  Variation of above
Saratoga: 1847 Rogers +, 1881, Pat. #12241 to Simpson Hall Miller, S.W. Belk design
Sheffield Plate 1: Sheffield Plate Co.
Sheffield Plate 4: Sheffield Plate Co.
Sheffield Plate 9: Sheffield Plate Co.
Sheffield Plate 11: Sheffield Plate Co.
Shrewsbury: 1847 Rogers & Rogers Bro., 1892
Siren: Rogers Smith, 1847 Rogers & Rogers & Bro., 1891
Spray: 1877 Niagara Falls Co. +, 1887
Spray: Reed & Barton, 1890 (sterling)
01AESTHETIC 15 BLANK 975x1500  BORDER 13 GOOD SQUIRREL-WARWICK

Squirrel: Derby Silver Co., 1874, Pat. #8846, Edwin L. Brittin design
Squirrel: Reed & Barton, 1884, Pat. #15271, A.F. Jackson design
Standard: Standard Silver Ware Co., 1883
Standard I: Standard
Standard Silver Ware I: Crown Silver Co.+ 1883, Pat#14262, T. Triebel design
Stanley: Hartford Silver Plate Co., (numerous)
Thistle: Meriden Silver Plate Co., 1882, Pat. #13136, Louis Hiller design
Three: Sterling Silver Plate Co. (aka “Coral” pattern by Sheffield Plate above)
Tufts No. 1: James W. Tufts, 1885
Two: Brown & Bros., 1881, Pat. # 12124, Le Roy White design
Unique: Derby Silver Co. (numerous), 1879, Pat #10989, Brittin & Gill design
Unique: Reed & Barton, 1880, Pat #11780, Wm. Beattie design
Venetian:  Rogers & Bro., 1884
Victor: Towle Mfg. Co., 1882
Warwick: L. Boardman & Son &Aurora Silver Plate, c. 1880
01AESTHETIC 15 BLANK 975x1500  BORDER 13 GOOD WEBSTER-UNKNOWN

Webster:  J.B. & S.M. Knowles, 1882, Pat. #12,793, Joseph Knowles design (sterling)
Wellington: Meriden Silver Co., 1888
Westminster:  Numerous, 1883, Pat. #14320 to C. Rogers & Bros., A. Sperry design
Wilton:  L. Boardman & Son, c. 1880
Winthrop: Numerous, 1884, Pat. #15134 to C. Rogers & Bros., A. Sperry design
Last one is unknown.

Update: I was recently contacted by someone who had a spoon in a pattern similar to th Lyonnaise pattern but slightly different. This pattern was made by various manufacturers and his spoon was by Wm. Rogers & Son. Noel Turner’s book showed the variation under Wm. Rogers Mfg. This is from Turner’s book…first pattern on the left. Second image is of variations of this pattern, also in Turner’s book.

 

 

LP
This entry was posted in 1847 Rogers, holmes & edwards, L. Boardman, luther boardman, Myron H. Kinsley, Pairpoint, Reed & Barton, Rogers & Bro., silver, silver plate, silver plate manufacturer, silverplate, Simpson Hall Miller, Wm. A. Rogers, Wm. Rogers and tagged , , , , , , , , , , , , , . Bookmark the permalink.

47 Responses to Some 19th Century Flatware Patterns

  1. B. Raymond says:

    Hello,I am looking for any information on a pattern called, hall Elton # 3 ,this pattern resembles Tuscan,this same pattern was done by j. o. Mead .It is silverplate over german silver,please help,Raymond

    • queenofsienna says:

      Hello, the only reference that I could find in any of my reference books to Hall Elton Three is in “Silver Plated Flatware Patterns” by Davis and Deibel and they only show an illustration of the pattern with no additional info about it. At this time, I don’t have a patent for this particular design. I haven’t done much research for patents from the 1850s or 1860s yet. The earliest similar design that I have seen was Gibney’s from 1847 but there are others. I was contemplating putting together a post on some of these earlier Tuscan type designs but wanted to do a little more research in the patent office…which is time consuming.

      I’ve seen a recent listing on eBay that mentions “Hall Elton 3″…however, the pattern shown in the listing is not exactly the same as the one in the Davis and Deibel book.

      • Raymond says:

        Hello,Is there any way you would consider posting the one image of Hall & elton #3,I would be interested in seeing an actual image to compare,in the meantime I will be trying to get a second hand copy of the book.Thanks again for all your help,it seems both j.o. Mead and Elton used this pattern who was first? since the back is a dead ringer for Tuscan I think it would have to date after 1846.,Tuscan’s orignal patent. best wishes ,Raymond

      • queenofsienna says:

        Hi, I’ve just put up this post with the image of the Hall Elton Three design that’s listed in Davis and Deibel’s “Silver Plated Flatware Patterns”. The post is here: https://queenofsienna.wordpress.com/2014/04/10/variation-on-a-theme/ Look for the 2nd Edition of that Davis and Deibel book…it has 709 pages and is an amazing resource. Hope this helps.

      • B. Raymond says:

        Hello,THANK!!YOU SO SO much for the posting,this is exactly what I was looking for this is the same design that is marked J.O. Mead &co. and also used by Hall & Elton.Now I need to research who came out with it first or was it supplied by another party.From what I understand Tuscan was patent 7-10-1846 ,This design uses the back of Tuscan and the front but modified I now have my work cut out for me.Thanks again so much for your help and comments,I will keep you posted with the results,hane a great weekend,Raymond

  2. stephanie says:

    I have a pattern done by wm rogers and so i.s. and I cant Identify it name, ive search for and while now and cant figure it out if I send a picture to u would u be able to tell me more about it please and thank you Stephanie

  3. Tom Forsell says:

    Hi,

    I always enjoy your posts. I have been collecting a few small lots of Coral by Sheffield Plate Co. Do you have any history on this pattern and the company? It is a rather strange pattern. It seems to be rather cheaply stamped on a plain piece of metal. However, the stamp is rather beautiful. Some pieces have very faint pattern.

    • queenofsienna says:

      Hello, Tom. Hope all is well!

      With regard to a strike at the Derby Silver Co., an 1887 publication listed one of the marks used by Derby as Sheffield Plate Co. (see my Edwin Brittin’s Squirrel post). However, in Davis & Diebel’s book the “Coral” pattern is shown as “Sterling Silver Plate Three”. Now in Eileen Woodhead’s book, she attributes the “Sterling Silver Plate” mark to Holmes, Booth & Haydens who apparently also had the backstamp “Sheffield Plated Co.” (Plated…ed). I’ve seen the “Coral” pattern marked with the “Sterling Sil. Plt. Co.” mark as well as “Sheffield Plate Co.” There is a pickle fork in this pattern on Ebay now with the Sheffield Plate mark. I’m not familiar with a patent for this pattern.

  4. Julles Mills says:

    I also have a pattern I cannot identify. It is an 1834 J Russell & Co. It has a fan tail with a picture of a swan. Lovely but no one seems to know the name. How can I send you a pix?

  5. Christy says:

    I have a pattern from Dirby Silver Co. That I can’t seem to locate the name of. It resembles the lily of the Valley but has the butterfly. And also has the bow tie with straight lines down the handle. Wondering if you have run across this pattern?

    • queenofsienna says:

      Hi, I believe the Derby Silver Co. pattern you describe is called “Bouquet”. I need to update my listings!

  6. Amy Percy says:

    Can you help identify this item? It is marked *ROGERS&SON.A1 – a scalloped serving spoon, floral stamped or embossed handle – the pattern is lilies and other flowers and leaves and goes from the tip of the handle to just under the spoon, just on the front. I can’t find an image match anywhere. Thank you for your time.

  7. Tom Forsell says:

    Just noticed, I don’t see Gem, by Reed and Barton (1871). Perhaps I have missed it. Thanks for all of the great information you have given me.

    • queenofsienna says:

      Hi, Tom! You’re right, Gem isn’t in this listing. I think my intent was to show aesthetic type patterns as there are so many! I didn’t include what I consider the early classic patterns like Olive, Threaded, Gothic, Cottage, Roman, Persian, Gem, etc. But I didn’t say that, I see. You’ve got good eyes! Hope all is well.

  8. Beverly A Roberts says:

    Hi,
    I’m going to send a picture of this spoon also but it is a scalloped sugar spoon I believe, however, on the handle is stamped “Vassar Female College” and I’m not able to find any information online. I would appreciate any assistance so far as determining a value. Thank you.

  9. Art Tawater says:

    I have found a spoon handle at an old cabin in Texas. The cabin was built in the 1850’s and lived in till the 1940’s. It has a BELMONT mark. It is hard to tell the pattern on the front but it appears to be a corn stalk with large bent leaves and a bent over tassel? at the top.
    I can find nothing on it and am trying to date it. I have pics if I could send them to you. Any help would be appreciated. IThanks

  10. Melissa says:

    Hi! Was searching for information on a spoon I have, in the “Calla” pattern marked Williams Bros. Mfg. Co. and found your fabulous research. So fun to read about the Williams Bros. company in your blog post. Thank you!

  11. Janet Williams says:

    Thank you. This information is very helpful. You’re doing a great thing!

  12. I like your site, it has good articles, Have a nice day!

  13. Beth Dickinson says:

    Thank you so kindly for this reference. I have a single serving spoon in ‘Acme’ by Holmes Booth Haydens which has given me much trouble to identify because the mark on the back reads: “1877 R.S. & Co. XIII 5”. I’m sure you can understand my perplexity at not being able to locate it in any Rogers Smith & Co. pattern guide. Fortunately by some internet magic (querying 1877 R.S. & Co. XIII silver pattern) I found your image and was therefore saved from endless searches. Now if only I could find a companion serving piece such as a meat fork or slotted spoon… Well, the search continues, but at least now I have a map! Thank you again!

    • queenofsienna says:

      I’m glad my post was helpful to you. Acme is a tough pattern to find. I believe it was also made with Aurora and Anchor Rogers backstamps. If you search on eBay for “Acme” under Antiques, Silver, Silverplate, flatware both in title and description you’ll find a few pieces but right now I don’t see a serving fork or slotted spoon. Problem is quite often the listing doesn’t provide a pattern name. And since this pattern is on the rare side, that is even more likely. But it is always good to have something to hunt for. Best of luck!

  14. David Schultz says:

    Thank you — this helped me identify the maker of an unmarked twisted handle master butter knife — it is very similar to the Sheffield Plate Coral pattern. I do have a different pattern from that era (1890s, I believe) that I cannot find anywhere. It’s a silverplate piece marked “A.F. Towle & Sons”. It is a very “busy” pattern with two small bees at the tip of the handle, along with stars, half moons, and what look like gears. I can send photos of the oyster ladle if you like.

  15. queenofsienna says:

    If you’d like, you can send photos of the oyster ladle to me at queenofsienna@gmail.com. Thanks!

  16. William says:

    Hello, I was wondering if you might have any more information on the company of Roger and Brittin, I have a set of 6 of the Japanese: Numerous, 1880, Pat. #11966 to Rogers & Brittin, Gill & Brittin design spoons and was wondering whether they are Sterling or plated. They have the number 5 stamped on them which might be a sign they are sterling, but also they are so tarnished I can’t tell whether it is tarnish that is tough to clean or if the silver plate has worn off. Any help you might be able to give me would be very appreciated!

    • queenofsienna says:

      I believe Rogers & Brittin only manufactured nickel silver and plated ware. You can read more about them here:

      The Mystery of the Maltese Cross

      It is not easy to find Rogers & Brittin flatware these days, especially this beautiful but elusive Japanese pattern.

      • William says:

        Thank you so much for your help! I hope I can keep scrubbing and I can get whatever it is off, and that the silver hasn’t rubbed off. If you have any advice on how to clean them, and if you’d like photos, I’ll be happy to send them! I have tried all different methods of polish from tinfoil and baking soda to Wrightmans silver polish. They seem to be working, after about four sessions of rigorous cleaning and they still aren’t close to all being shiny again!!

      • queenofsienna says:

        I’d love to see photos. Thank you. You can send them to queenofsienna@gmail.com . Sometimes a good wash with dish detergent and warm water is the best way to start as there could be many years of grime on the surface making it harder for other treatments to get through and work.

  17. David Schultz says:

    Hello! I have found another silverplate pattern that I cannot identify. It’s a casserole/berry spoon made by Rogers & Bro, so I thought I might find it in my Hagan guide, but no luck. Other online resources have proven to be no help as well. If I send some photos, would you be able to take a look? Thanks so much!

  18. Polly Curtiss says:

    Thanks for helping me with additional information on my crown Silver plate calla lily cake server. The motif in the middle of the business end of the cake server is a clipper ship.

  19. Thomas Milot says:

    I found a long spoon on the back was,W. B. 1900. HAS A TWRISTED MIDDLE, IS THIS SPOON WORTH ANYTHING,JUST WONDERING, HAVE PICTURES IF YOU LIKE TO SEE THEM,THANK YOU TOM.

  20. David Schultz says:

    Hello again.
    I just wanted to let you know that I recently came across a 12″ Wellington (1888) fish serving knife with a back stamp of “ROGERS SMITH & CO A1”. I had a heck of a time finding this pattern, until I checked this page out — should have come here first…
    Thanks!

  21. Lois Mace says:

    I noticed there is no date on the Bristol Two or Three. Do you know they’re manufacturing dates?
    I have a teaspoon in that pattern that is Gold Plated and stamped with Bristol Plate Co.

    Anything you might know about it would be helpful and greatly appreciated.

    Thank You,
    Lois M.

    • queenofsienna says:

      Lois, good question. Bristol Plate was a backstamp used by Pairpoint. Pairpoint was formed in 1880 and sold their silver flatware operation to Niagara Silver Co. around 1900. These patterns were made before that sale and I would date them to the early 1890s. I haven’t been able to locate them in a catalog or advertisement though. Sorry I can’t be more specific. If I do find some specific info, I’ll get back to you.

  22. Dabvid says:

    You have helped me with 19th century pattern identification in the past and I have another one. It is marked “Rogers Smith & Co” and I can find many of their patterns, but I have one that I cannot ID. Could I send a photo via email? I assume it is 19th century because of the maker, but it doesn’t have the typical look of flatware from that time period. Thank you — David.

  23. Julie says:

    Hi. My name is Julie. I have a Wm Rogers flatware set that has a design on it not matching any of the designs you posted. I m at a loss. Please let me know if you can help.

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